Current:Home > FinanceA man fights expectations in 'I'm So Glad We Had This Time Together'-Angel Dreamer Wealth Society D1 Reviews & Insights
A man fights expectations in 'I'm So Glad We Had This Time Together'
View Date:2024-12-23 16:02:20
At one point far into Maurice Vellekoop's operatic, nearly 500-page graphic memoir I'm So Glad We Had This Time Together, he depicts himself at an art event in Toronto. He has donated his work to the silent auction and is now scoping out the scene, chatting up yet another handsome stranger in search of that elusive spark. "I thought you said you were an artist," the man bitterly remarks, having just matched the artist to his art — presumably a comics illustration.
This moment is somewhat peripheral to the main storyline, included as a demonstration of the then 30-something-year-old's long-delayed willingness to put himself out there on the dating scene. But in a way, it captures a concern even more essential to the book. This long, gorgeous, often rambunctious memoir is the story of a man's search for a way out of the expectations that have kept him constrained for most of his life. Vellekoop will not remain unscathed by other people's judgment and censure. In the end, though, this impressive book is the proclamation of an artist, in this case a cartoonist, finally staking out his claim.
Divided into four sections tracking various throughlines from his life so far, Vellekoop opens his lavishly colored book of comics with scenes from early childhood. Born in 1964, young Maurice was the fourth and final sibling raised in the suburbs of Toronto by Dutch immigrant parents who were also avid members of the Christian Reformed Church. From his loving but complicated Mum and Dad, he developed an immediate, and passionate, connection with music and art. This working-class immigrant family displayed a Rembrandt in their living room. His mother made clothes for the entire family, also running a hair salon out of their basement. His father, an art and music lover, took him to see Fantasia when he was a little boy. It was initially through the two of them, and his adored older sister, Ingrid, that many of his great loves — and, eventually, prodigious talents — were launched.
But family life was also full of contradictions. Vellekoop's father was subject to sudden, inexplicable rages. His mother could never reconcile the aesthetic tastes she shared with her youngest with her sense, particularly as he grew older, that his desires were not quite aligned with her adopted religious beliefs and cultural standards. "My Mum and I should have bonded over beauty," the narrator mournfully reports, tracking one missed opportunity after another. First subtly — say, by substituting a marionette as a gift in lieu of a much-desired Barbie — later much more overtly, by handing her son religious pamphlets condemning homosexuality, Vellekoop's mother, whom he adored, time and again makes her disapprovals known. As the boy ages into puberty, he battles his budding sexual desires alongside a longing to please his parents as well as a growing anxiety around peers who tease and also verbally abuse him.
Armed from a young age with an ability to find beauty and connection in all manner of storytelling forms, from the so-called lowbrow to the most classical of works, Vellekoop packs his passages — from public high school and arts college into the post-collegiate Toronto scene and, later, travels to New York City — with all manner of references, from which he draws inspiration. As a child he falls in love, first with Disney films, then television. The shows he loves to watch include The Addams Family, Tarzan, and The Carol Burnett Show — the memoir's title is drawn from the popular variety show's closing song. He derives pleasure, too, from other forms, like popular and avant garde cinema and theater, punk rock, comics, opera, painting, science fiction, literature, and more. These cultural and aesthetic touchstones become the foundations not only for the expertly rendered images and prose on display but also the important friendships that dominate his life, and sustain him. His successful art and illustration career, which takes off quickly after his graduation from the Ontario College of Art and Design, sees him globetrotting, publishing works in places like The New Yorker, Vogue and Rolling Stone.
Throughout, Vellekoop candidly depicts several violent and unprovoked attacks from strangers, his internalized shame, his struggles with depression, coming to terms with his sexual proclivities and finding a mate. He finds consolation and support, not only in the art he continually seeks out, and all that he creates, but also in the Toronto arts community, his straight female friendships and, eventually, a professional therapist. Alongside other evocative gay and queer cartoonists, from Howard Cruse and Alison Bechdel to Robert Kirby and Maia Kobabe, Vellekoop is invested in presenting the highs and lows of a life lived willfully resisting other people's inconsistent, harmful attitudes.
There is, too, for Vellekoop, an eventual reconciliation of sorts with his mother. Though it is far from seamless, at long last she echoes a designation he has already gifted himself, many times over. On the phone, nearing the end of her life, in response to his own declarations of affection she tells him: "I love you too. My Maurice, my artist son."
Tahneer Oksman is a writer, teacher, and scholar specializing in memoir as well as graphic novels and comics. She lives in Brooklyn, NY.
veryGood! (98153)
Related
- Wall Street makes wagers on the likely winners and losers in a second Trump term
- France’s waning influence in coup-hit Africa appears clear while few remember their former colonizer
- Joe Jonas Wears Wedding Ring Amid Sophie Turner Divorce Rumors
- More than 85,000 TOMY highchairs recalled over possible loose bolts
- Worker trapped under rubble after construction accident in Kentucky
- Some businesses in Vermont's flood-wracked capital city reopen
- Max Verstappen breaks Formula 1 consecutive wins record with Italian Grand Prix victory
- Georgia football staffer Jarvis Jones arrested for speeding, reckless driving
- Will Aaron Rodgers retire? Jets QB tells reporters he plans to play in 2025
- Inside Nick Cordero and Amanda Kloots' Heartwarming, Heartbreaking Love Story
Ranking
- Judith Jamison, a dancer both eloquent and elegant, led Ailey troupe to success over two decades
- Lab-grown palm oil could offer environmentally-friendly alternative
- More small airports are being cut off from the air travel network. This is why
- Insider Q&A: Atlanta Fed President Raphael Bostic foresees interest rates staying higher for longer
- Round 2 in the Trump-vs-Mexico matchup looks ominous for Mexico
- USA advances to FIBA World Cup quarterfinals despite loss to Lithuania
- Who is the NFL's highest-paid cornerback? A look at the 32 top salaries for CBs in 2023.
- Corgis parade outside Buckingham Palace to remember Queen Elizabeth II a year since her death
Recommendation
-
About Charles Hanover
-
Max Verstappen breaks Formula 1 consecutive wins record with Italian Grand Prix victory
-
Misery Index Week 1: Florida falls even further with listless loss to Utah
-
Who is the NFL's highest-paid cornerback? A look at the 32 top salaries for CBs in 2023.
-
School workers accused of giving special needs student with digestive issue hot Takis, other abuse
-
‘Like a Russian roulette’: US military firefighters grapple with unknowns of PFAS exposure
-
Divorce Is Not an Option: How Will Smith and Jada Pinkett Smith Built an Enduring Marriage
-
Steve Harwell, the former lead singer of Smash Mouth, has died at 56